The Green Mouse Chapter 27: Part 27

veins. His heroine, the captivating Shiela Cardross, of unknown parentage, yet reared in luxury, suddenly finds herself on life's firing line, battling with one of the most portentous problems a young girl ever had to face. Only a master writer could handle her story; Mr. Chambers does it most successfully. THE YOUNGER SET is the second of Mr. Chambers's society novels. It takes the reader into the swirling society life of fashionable New York, there to wrestle with that ever-increasing evil, the divorce question. As a student of life, Mr. Chambers is thorough; he knows society; his pictures are so accurate that he enables the reader to imbibe the same atmosphere as if he had been born and brought up in it. Moreover, no matter how intricate the plot may be or how great the lesson to be taught, the romance in the story is always foremost. For "The Younger Set," Mr. Chambers has provided a hero with a rigid code of honor and the grit to stick to it, even though it be unfashionable and out of date. He is a man whom everyone would seek to emulate. The earliest of Mr. Chambers's society novels is THE FIGHTING CHANCE It is the story of a young man who has inherited with his wealth a craving for liquor, and a girl who has inherited a certain rebelliousness and a tendency toward dangerous caprice. The two, meeting on the brink of ruin, fight out their battles--two weaknesses joined with love to make a strength. It is sufficient to say of this novel that more than five million people have read it. It has taken a permanent place among the best fiction of the period. SPECIAL MESSENGER is the title of Mr. Chambers's novel just preceding "The Danger Mark." It is the romance of a young woman spy and scout in the Civil War. As a special messenger in the Union service, she is led into a maze of critical situations, but her coolness and bravery and winsome personality always carry her on to victory. The story is crowded with dramatic incident, the roar of battle, the grim realities of war; and, at times, in sharp contrast, comes the tenderest of romance. It is written with an understanding and sympathy for the viewpoint of the partisans on both sides of the conflict. THE RECKONING is a novel of the Revolutionary War. It is the fourth, chronologically, of a series of which "Cardigan" and "The Maid-at-Arms" were the first two. The third has not yet been written. These novels of New York in the Revolutionary days are another striking example of the enthusiasm which Mr. Chambers puts into his work. To write an accurate and successful historical novel, one must be a historian as well as a romancer. Mr. Chambers is an authority on New York State history during the Colonial period. And, if the hours spent in poring over old maps and reading up old records and journals do not show, the result is always apparent. The facts are not obtrusive, but they are there, interwoven in the gauzy woof of the artist's imagination. That is why these romances carry conviction always, why we breathe the very air of the period as we read them. IOLE Another splendid example of the author's versatility is this farcical, humorous satire on the _art nouveau_ of to-day, Mr. Chambers, with all his knowledge of the artistic jargon, has in this little novel created a pious fraud of a father, who brings up his eight lovely daughters in the Adirondacks, where they wear pink pajamas and eat nuts and fruit, and listen to him while he lectures them and everybody else on art. It is easy to imagine what happens when several rich and practical young New Yorkers stumble upon this group. Everybody is happy in the end. One might run on for twenty books more, but there is not space enough more than to mention "The Tracer of Lost Persons," "The Tree of Heaven," "Some Ladies in Haste," and Mr. Chambers's delightful nature books for children, telling how _Geraldine_ and _Peter_ go wandering through "Outdoor-Land," "Mountain-Land," "Orchard-Land," "River-Land," "Forest- Land," and "Garden-Land." They, in turn, are as different from his novels in fancy and conception as each of his novels from the other. Mr. Chambers is a born optimist. The labor of writing is a natural enjoyment to him. In reading anything he has written, one is at once impressed with the ease with which it moves along. There is no straining after effects, no affectations, no hysteria; but always there is a personality, an individuality that appeals to the best side of the reader's nature and somehow builds up a personal relation between him and the author. Perhaps it is this consummate skill, this remarkable ability to win the reader that has enabled Mr. Chambers to increase his audience year after year, until it now numbers millions; and it is only just that critics should, as they frequently do, proclaim him "the most popular writer in the country."