The House of Souls Chapter 20: Part 20

of this place there were scattered three or four old cottages, and one of them was a little tavern. Here they stopped, and a man came out and tethered the tired horse to a post and gave him water; and old Mr. Darnell took the child's hand and led him by a path across the fields. The boy could see the country now, but it was all a strange, undiscovered land; they were in the heart of a wilderness of hills and valleys that he had never looked upon, and they were going down a wild, steep hillside, where the narrow path wound in and out amidst gorse and towering bracken, and the sun gleaming out for a moment, there was a gleam of white water far below in a narrow valley, where a little brook poured and rippled from stone to stone. They went down the hill, and through a brake, and then, hidden in dark-green orchards, they came upon a long, low whitewashed house, with a stone roof strangely coloured by the growth of moss and lichens. Mr. Darnell knocked at a heavy oaken door, and they came into a dim room where but little light entered through the thick glass in the deep-set window. There were heavy beams in the ceiling, and a great fireplace sent out an odour of burning wood that Darnell never forgot, and the room seemed to him full of women who talked all together in frightened tones. Mr. Darnell beckoned to a tall, grey old man, who wore corduroy knee-breeches, and the boy, sitting on a high straight-backed chair, could see the old man and his uncle passing to and fro across the window-panes, as they walked together on the garden path. The women stopped their talk for a moment, and one of them brought him a glass of milk and an apple from some cold inner chamber; and then, suddenly, from a room above there rang out a shrill and terrible shriek, and then, in a young girl's voice, a more terrible song. It was not like anything the child had ever heard, but as the man recalled it to his memory, he knew to what song it might be compared--to a certain chant indeed that summons the angels and archangels to assist in the great Sacrifice. But as this song chants of the heavenly army, so did that seem to summon all the hierarchy of evil, the hosts of Lilith and Samael; and the words that rang out with such awful modulations--_neumata inferorum_--were in some unknown tongue that few men have ever heard on earth. The women glared at one another with horror in their eyes, and he saw one or two of the oldest of them clumsily making an old sign upon their breasts. Then they began to speak again, and he remembered fragments of their talk. 'She has been up there,' said one, pointing vaguely over her shoulder. 'She'd never know the way,' answered another. 'They be all gone that went there.' 'There be nought there in these days.' 'How can you tell that, Gwenllian? 'Tis not for us to say that.' 'My great-grandmother did know some that had been there,' said a very old woman. 'She told me how they was taken afterwards.' And then his uncle appeared at the door, and they went their way as they had come. Edward Darnell never heard any more of it, nor whether the girl died or recovered from her strange attack; but the scene had haunted his mind in boyhood, and now the recollection of it came to him with a certain note of warning, as a symbol of dangers that might be in the way. * * * * * It would be impossible to carry on the history of Edward Darnell and of Mary his wife to a greater length, since from this point their legend is full of impossible events, and seems to put on the semblance of the stories of the Graal. It is certain, indeed, that in this world they changed their lives, like King Arthur, but this is a work which no chronicler has cared to describe with any amplitude of detail. Darnell, it is true, made a little book, partly consisting of queer verse which might have been written by an inspired infant, and partly made up of 'notes and exclamations' in an odd dog-Latin which he had picked up from the 'Iolo MSS.', but it is to be feared that this work, even if published in its entirety, would cast but little light on a perplexing story. He called this piece of literature 'In Exitu Israel,' and wrote on the title page the motto, doubtless of his own composition, '_Nunc certe scio quod omnia legenda; omnes historiæ, omnes fabulæ, omnis Scriptura sint de ME narrata_.' It is only too evident that his Latin was not learnt at the feet of Cicero; but in this dialect he relates the great history of the 'New Life' as it was manifested to him. The 'poems' are even stranger. One, headed (with an odd reminiscence of old-fashioned books) 'Lines written on looking down from a Height in London on a Board School suddenly lit up by the Sun' begins thus:-- One day when I was all alone I found a wondrous little stone, It lay forgotten on the road Far from the ways of man's abode. When on this stone mine eyes I cast I saw my Treasure found at last. I pressed it hard against my face, I covered it with my embrace, I hid it in a secret place. And every day I went to see This stone that was my ecstasy; And worshipped it with flowers rare, And secret words and sayings fair. O stone, so rare and red and wise O fragment of far Paradise, O Star, whose light is life! O Sea, Whose ocean is infinity! Thou art a fire that ever burns, And all the world to wonder turns; And all the dust of the dull day By thee is changed and purged away, So that, where'er I look, I see A world of a Great Majesty. The sullen river rolls all gold, The desert park's a faery wold, When on the trees the wind is borne I hear the sound of Arthur's horn I see no town of grim grey ways, But a great city all ablaze With burning torches, to light up The pinnacles that shrine the Cup. Ever the magic wine is poured, Ever the Feast shines on the board, Ever the song is borne on high That chants the holy Magistry-- Etc. etc. etc. From such documents as these it is clearly impossible to gather any very definite information. But on the last page Darnell has written-- 'So I awoke from a dream of a London suburb, of daily labour, of weary, useless little things; and as my eyes were opened I saw that I was in an ancient wood, where a clear well rose into grey film and vapour beneath a misty, glimmering heat. And a form came towards me from the hidden places of the wood, and my love and I were united by the well.' The White People PROLOGUE 'Sorcery and sanctity,' said Ambrose, 'these are the only realities. Each is an ecstasy, a withdrawal from the common life.' Cotgrave listened, interested. He had been brought by a friend to this mouldering house in a northern suburb, through an old garden to the room where Ambrose the recluse dozed and dreamed over his books. 'Yes,' he went on, 'magic is justified of her children. There are many, I think, who eat dry crusts and drink water, with a joy infinitely sharper than anything within the experience of the "practical" epicure.' 'You are speaking of the saints?' 'Yes, and of the sinners, too. I think you are falling into the very general error of confining the spiritual world to the supremely good; but the supremely wicked, necessarily, have their portion in it. The merely carnal, sensual man can no more be a great sinner than he can be a great saint. Most of us are just indifferent, mixed-up creatures; we muddle through the world without realizing the meaning and the inner sense of things, and, consequently, our wickedness and our goodness are alike second-rate, unimportant.' 'And you think the great sinner, then, will be an ascetic, as well as the great saint?' 'Great people of all kinds forsake the imperfect copies and go to the perfect originals. I have no doubt but that many of the very highest among the saints have never done a "good action" (using the words in their ordinary sense). And, on the other hand, there have been those who have sounded the very depths of sin, who all their lives have never done an "ill deed."' He went out of the room for a moment, and Cotgrave, in high delight, turned to his friend and thanked him for the introduction. 'He's grand,' he said. 'I never saw that kind of lunatic before.' Ambrose returned with more whisky and helped the two men in a liberal manner. He abused the teetotal sect with ferocity, as he handed the seltzer, and pouring out a glass of water for himself, was about to resume his monologue, when Cotgrave broke in-- 'I can't stand it, you know,' he said, 'your paradoxes are too monstrous. A man may be a great sinner and yet never do anything sinful! Come!' 'You're quite wrong,' said Ambrose. 'I never make paradoxes; I wish I could. I merely said that a man may have an exquisite taste in Romanée Conti, and yet never have even smelt four ale. That's all, and it's more like a truism than a paradox, isn't it? Your surprise at my remark is due to the fact that you haven't realized what sin is. Oh, yes, there is a sort of connexion between Sin with the capital letter, and actions which are commonly called sinful: with murder, theft, adultery, and so forth. Much the same connexion that there is between the A, B, C and fine literature. But I believe that the misconception--it is all but universal--arises in great measure from our looking at the matter through social spectacles. We think that a man who does evil to _us_ and to his neighbours must be very evil. So he is, from a social standpoint; but can't you realize that Evil in its essence is a lonely thing, a passion of the solitary, individual soul? Really, the average murderer, _quâ_ murderer, is not by any means a sinner in the true sense of the word. He is simply a wild beast that we have to get rid of to save our own necks from